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From Chapter 4: It is somewhat singular that the Puritans, who denounced most amusements and pleasures, and who frowned upon most of the occupations or diversions that make for gaiety and the enjoyment of life, did not, as Puritans, denounce the use of tobacco. One or two of their writers abused it roundly; but these were not representative of Puritan feeling on the subject. The explanation doubtless is that the practice of smoking was so very general and so much a matter of course among men of all ranks and of all opinions, that the mouths of Puritans were closed, so to speak, by their own pipes. A precisian, however, could take his tobacco with a difference. The seventeenth-century diarist, Abraham de la Pryme, says that he had heard of a Presbyterian minister who was so precise that "he would not as much as take a pipe of tobacco before that he had first sayed grace over it." George Wither, one of the most noteworthy of the poets who took the side of the Parliament, was confined in Newgate after the Restoration, and found comfort in his pipe.
From Chapter 5: The belief in the prophylactic power of tobacco was, however, very generally held. When Mr. Samuel Pepys on June 7, 1665, for the first time saw several houses marked with the ominous red cross, and the words "Lord, have mercy upon us" chalked upon the doors, he felt so ill at ease that he was obliged to buy some roll tobacco to smell and chew. There is nothing to show that Pepys even smoked, which considering his proficiency in the arts of good-fellowship, is perhaps a little surprising. Defoe, in his fictitious but graphic "Journal of the Plague Year in London," says that the sexton of one of the London parishes, who personally handled a large number of the victims, never had the distemper at all, but lived about twenty years after it, and was sexton of the parish to the time of his death. This man, according to Defoe, "never used any preservative against the infection other than holding garlic and rue in his mouth, and smoking tobacco."
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Cigarette and Tobacco Information:
From Chapter 4: It is certain that the armies of the Parliament were great smokers, for the finds of seventeenth-century pipes on the sites of their camps have been numerous. A considerable number of pipes of the Caroline period, with the usual small elongated bowls, were found in 1902 at Chichester, in the course of excavating the foundations of the Old Swan Inn, East Street, for building the present branch of the London and County Bank.
From Chapter 7: Hogarth's subscription ticket for the print of Sigismunda was Time smoking a Picture (1761). It represents an old man sitting on a fragment of statuary and smoking a long pipe against a picture of a landscape which stands upon an easel before him. Below, on his left, is a large jar labelled "Varnish." The figure of Time is nude and has large wings. Volumes of smoke are pouring against the surface of the picture from both his mouth and the bowl of his long clay pipe. In The Stage-Coach, or Country Inn-yard, is shown an old woman smoking a pipe in the "basket" of the coach. The plate of The Distrest Poet (1736) shows four books and three tobacco-pipes on a shelf. In the second of the "Election" series—the Canvassing for Votes (1755)—a barber and a cobbler, seated at the table in the right-hand corner, are both smoking long pipes. Apparently they are discussing the taking of Portobello by Admiral Vernon in 1739 with only six ships; for the barber is illustrating his talk by pointing with his twisted pipe-stem to six fragments which he has broken from the stem and arranged on the table in the shape of a crescent. In the frontispiece which Hogarth drew in 1762 for Garrick's farce of "The Farmer's Return from London," the worthy farmer, seated in his great chair, holds out a large mug in one hand to be filled with ale, while the other supports his long pipe, which he is smoking with evident enjoyment.
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The website,
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Black Hawk Tobacco, Inc.
For more information about our company or our products please call us:
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Tobacco History:
Cigarettes and Literature
From Chapter 3:
It is pretty clear that not a few of the druggists who sold tobacco were great rascals. Ben Jonson has let us into some of their secrets of adulteration—the treatment of the leaf with oil and the lees of sack, the increase of its weight by other artificial additions to its moisture, washing it in muscadel and grains, keeping it in greased leather and oiled rags buried in gravel under ground, and by like devices. Other writers speak of black spice, galanga, aqua vitæ, Spanish wine, aniseeds and other things as being used for purposes of adulteration.
From Chapter Chapter 8: He describes the box and its contents in lines which show not only tolerance but appreciation of tobacco, from which it is not unreasonable to infer that Cowper's first view of his friend's smoking-habit as a drawback—as shown in his letter to Unwin, quoted above—had been modified by neighbourhood and custom. It might have been well for the poet himself if he had learned to smoke a social pipe with his friend Bull. The appreciative lines run thus: This oval box well filled With best tobacco, finely milled, Beats all Anticyra's pretences To disengage the encumbered senses. O Nymph of transatlantic fame, Where'er thine haunt, whate'er thy name, Whether reposing on the side Of Oronoco's spacious tide, Or listening with delight not small To Niagara's distant fall, 'Tis thine to cherish and to feed The pungent nose-refreshing weed, Which, whether pulverized it gain A speedy passage to the brain, Or whether, touched with fire, it rise In circling eddies to the skies, Does thought more quicken and refine Than all the breath of all the Nine— Forgive the bard, if bard he be, Who once too wantonly made free, To touch with a satiric wipe That symbol of thy power, the pipe; * * * * * * * And so may smoke-inhaling Bull Be always filling, never full.
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